Sunday, June 30, 2013

Franco: Introduction (Intro to Spanish-Amer. Lit)



Main points are in red; Comps stuff/people is/are are highlighted in blue and also listed below.
*This was a nice concise big-picture review of the whole colonial section.

Comps people/stuff mentioned
-          Poma de Ayala (pg. 3-4)
-          Popol Vuh (pg. 6)
-          Inca Garcilaso de la Vega – Comentarios reales (pg. 6, pg. 14-15)
-          Ollantay (pg. 8)
-          Bernal Díaz del Castillo – Historia verdadera de la conquista de la Nueva España (pg. 10-11)
-          Alvar Núñez Cabeza de Vaca – Naufragios (pg. 11-12)
-          Bartolomé de las Casas (pg. 13-14)
-          Alonso de Ercilla – La Araucana (pg. 16-17)
-          Carlos de Siguenza y Góngora’s – Los infortunios de Alonso Ramírez (pg. 18-21)
-          Sor Juana Inés de la Cruz (pg. 21-24)
-          Juan del Valle Caviedes (pg. 24-25)

General Notes
-          Spanish conquest of Central and South America had a vast impact on the European mindset (1)
o   New problems of law and politics
o   Visions of Utopia
o   Challenged notions of geography and natural history
-          Huge trauma/psychological shock of indigenous Americans due to conquest (1)
-          Indigenous/Indians that were conquered ranged from primitive nomadic tribes to highly-civilized communities (Incas in the Andes, Aztecs of Mexico, and Mayas of Central America) (1)
-          Indigenous religion (1)
o   Nature-religions (focus on nature and natural laws)
o   Focus on gods, who must be placated – Christian idea of individual salvation was radical
-          Major conflict of opinions about nature – Spaniards saw nature as something to be conquered and overcome, while Indians/indigenous saw it as an intimate and important part of life (3)
-          Tragic paradox: for Spaniard the conquest = possibility of Utopia; for Indian it’s the end of a Golden Age (3)
o   Example: Poma de Ayala described pre-conquest society in a very positive way
-          Mass conversion effort (c’mon, Indians, be Christians… or we’ll kill you!) (4)
o   Conquest soldiers, friars/missionaries, schools, churches, convents, printing press for religious documents
o   Indian culture/religion survived, especially in more remote rural areas (Christian/Spanish focus was in urban centers)
-          Sharp division between the sophistication of the city and the backwardness and cultural conservatism of the rural areas – this contrast persists today (5)

Literature during conquest and colonial period
-          Indian literature of the colonial period (5-6)
o   Records of pre-Columbian literature written down after the conquest, as a means of preserving the record of ancient belief (think Popol Wuj and Huarochiri…)
o   Literature created by the Indians during the colonial period
-          Poetry was important for many indigenous cultures (6-8)
o   For example, for the Incas – Garcilaso de la Vega recorded some of their poetry in his text Comentarios reales (6)
-          Medieval forms of literature from Spain (such as the ballad) took hold and persisted in some of the rural regions of the New World – the idea being that while the urban centers advanced with Spain, the rural areas didn’t really change/advance much (9)
-          Conquistadors were fascinated by legends/fantasies – legends based on New World (Fountains of Youth, Seven Enchanted Cities, and myth of El Dorado) and also popular novels of chivalry (from Spain) (9)
-          Tons of chronicles – idea that the conquerors were conscious of their own glorious destinies (10)
o   Ex: Bernal Díaz del Castillo’s Historia verdadera de la conquista de la Nueva España (10-11)
o   Many records of conquest written with goal of persuading the authorities to give due recompense for services (11)
o   “personal interest” story – example: Cabeza de Vaca’s Naufragios (11-12)

The Universalization of the American Experience (Politics, labor, religion, literature)
-          By 1540, Indies were divided into two huge administrative zones – the Viceroyalties of Peru and New Spain (with its capital in México) (12)
-          Church and State were combined (12)
-          Major conversion effort (13)
-          Indians = labor supply as slaves (13)
-          “The usual view of the churchmen was simply to regard the Indian past as a time of idolatry and error from which the providential arrival of the Spaniards had rescued them” (14)
-          Inca Garcilaso de la Vega – Comentarios reales (14-15)
o   He was a mestizo, and embraced his dual identity, establishing himself as different/an outsider
o   Compared Incan civilization with the greatest of Western societies and cultures (example: described Cuzco as another Rome in that empire)
o   Compared Incan/indigenous religion with Christianity
-          “for several decades after the foundation of the colonial empire, the leading poets were Spanish-born and had often grown up in Spain” (16)
-          Alonso de Ercilla – La Araucana (16-17)
o   Spanish poet who wrote in New world
o   Epic poem – provoked many imitations
-          There were tons of lyric poets in the New World, and a lot of them really weren’t that great (17)
-          Theatre was a popular form of entertainment and an instrument for teaching of Church doctrine in colonies – reflecting growing popularity of theatre in Spain at time (17)
-          Novel failed to take root in the New World (18)
o   This was in part due to wariness of then-popular novels of chivalry as bad influence on indigenous
o   There was an embargo on importation of novels to New World, but some did get in
o   Carlos de Siguenza y Góngora’s text Los infortunios de Alonso Ramírez did have some novelistic tones to it, although it was technically a historical record (18-19)

Seventeenth Century
-          Spanish colonies were well-controlled – firm relationship (political and economical) with Spain, and constant watch of Inquisition (19)
-          Baroque artistic style, characterized by exuberant decorative elements, and the use of curves and broken lines (19)
-          Baroque style in poetry – very complex and “decorative” styles (19-20)
-          Carlos Siguenza y Góngora (20-21)
o   Trained as a Jesuit but soon left the order
o   Undistinguished poet, but gifted writer of narrative (ex: Infortunios de Alonso…)
o   Learned Indian language
o   Wrote some chronicles, that were published posthumously
-          Sor Juana Inés de la Cruz (21-24)
o   Joined convent to be able to study
o   Admired by Spanish-speaking world, known as “Décima musa”
o   Wrote lyric poetry, metaphysical poems (ex: Sueño), both sacred and profane plays, theological polemic, and some secular letters
o   Torn both by conflict between religious obedience and passion for learning, and between two kinds of scholarship – old method of trusting to autoridades and new pragmatic methods (23)
-          Juan del Valle Caviedes (24-25)
o   Spanish born poet who arrived in the New World and became well known as a satirist in Lima (Peru)
o   Main target of his satirical poems were emergent professions, especially doctors
o   Interest in ugliness and sordidness of human life and its grotesque absurdity

The Eighteenth Century
-          “The great structure that was the Spanish colonial empire began to crack and break in the eighteenth century” (25)
-          Mining was replaced by agriculture as the mainstay of colonial economy (26)
-          Uprisings and disturbances grew more frequent (26)
o   Ex: great rebellions in Paraguay and Venezuela – Indians of Yucatán with Tupac Amaru
-          Jesuit order was expelled from all Spanish territories in 1767 – the Jesuits had formed a major component of the educational system, so that was a serious blow (26)

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