Showing posts with label central america. Show all posts
Showing posts with label central america. Show all posts

Friday, August 16, 2013

Me llamo Rigoberta Menchú y así me nació la conciencia (1983) – Elizabeth Burgos / Rigoberta Menchú



Sobre la(s) autora(s) y la obra
-          Rigoberta Menchú-Tum
o   Guatemala, Maya-Quiché, 1959-present
o   Controversy over authorship – Rigoberta’s testimony was transcribed by Elizabeth Burgos (David Stoll did a lot of research about this controversy, proving that some of what Rigo said wasn't 100% true)
o   She was a youth during the Guatemalan civil war
o   She went into exile in 1981, and narrated this text a year later in 1982
-          Novel is important as a testimonio and also as a reflection (in literature) of the brutalities and racism of the militant Guatemalan government of the time
-          This book made Rigoberta an international icon at the time that the conflict was still going on in Guatemala

Contexto Político y Social
-          The Guatemalan Civil War ran from 1960 to 1996. It was mostly fought between the government of Guatemala and various leftist rebel groups supported chiefly by ethnic Mayan indigenous people and Ladino peasants, who together make up the rural poor. The government forces of Guatemala have been condemned for committing genocide against the Mayan population of Guatemala during the civil war and for widespread human rights violations against civilians.
-          Lots of racism and discrimination against indigenous (Mayan) peoples

Comps Example Questions
  1. Testimonio. Taking two representative works, contextualize the emergence of this genre in Latin America and specify how it differs from other literary expressions (e.g. modernismo, vanguardia, boom and postboom). Works: Menchú -Burgos and.open choice from the other literary genres. OR A comparasion between J.F. Manzano’s authobiography and Menchú’s testimonio.
  2. Discuss Central American authors/works: context, cultural, ideological and aesthetic relationships and differences: Asturias, Menchú-Burgos, Argueta and Cardenal
  3. Indigenous thought in J.M. Arguedas and Menchú-Burgos
  4. The development of Spanish American identity and issues of race, class, and gender in numerous authors, from modernismo to the present (although they occur earlier as well). Authors: Agustini, Arguedas, Argueta, Storni, Burgos, Castellanos, Cardenal, Ferré, Berman, Álvarez, Williams, Puig, Barba Jacob, Sarduy, Menchú, Alzandúa, Paz, Fernández Retamar, Galeano, Rama, etc. Some suggested readings: Foster and Altamiranda, Cornejo Polar, Meyer, Castillo, Stabb, Martin, Kaminsky, Beverly and others under testimonio.


What Cambridge Companion: Latin America says (Chapters 4 & 8)
-          Most famous example of a testimonio (91)
-          Provoked many debates about the authenticity of the “testimonio” genre (91)
-          “while testimonio gives voice to the ordinary or marginalized people, it risks setting up the same tensions between presentation and reality that characterized the earlier fiction it seemed to be a reaction against” (91)
-          The “classic” of the testimonial genre (172)
-          Possibility that it fictionalizes personal and historical truths in order to dramatize its political message (172)

Ideas/thoughts about the testimonial genre in general (Cambridge L.A. Chaps 4 & 8)
-          Emergence of the testimonio and the New Historical Novel between the 1970s and 1990s (91)
o   Both reinforce the impression of a greater emphasis on the direct presentation of social reality
-          Testimonio = “kind of autobiography told by another, usually more educated and narratively gifted, person” (91)
-          “while testimonio gives voice to the ordinary or marginalized people, it risks setting up the same tensions between presentation and reality that characterized the earlier fiction it seemed to be a reaction against” (91)
-          “A mode of non-fictional, documentary narrative known as testimonio characterized the last half of the twentieth century, particularly in Guatemala, Nicaragua, and El Salvador, the three republics that endured the immediate traumas of revolution, post-revolution, or civil war” (171)
-          “The principal feature of testimonial writing is that the narrators are also participants who feel an urgent need to ‘bear witness’ to their time and place and history” (171-172)
-          “Testimonial fiction” tends to privilege the voices of the subaltern (gah, Spivak flashback!) (172)
-          ** Me llamo Rigoberta serves as a classic example of the testimonio genre!

Temas/ideas importantes
-          Estilo de escritura
o   Rigoberta is first-person narrator
o   Narration transcribed by Elizabeth Burgos
o   Unreliable narrator?
§  “I don’t remember”
§  Says some things are secret
-          Genre: Testimonio
o   Narration of someone else’s story
§  Burgos writes Rigoberta’s story
§  Rigoberta writes her pueblo’s story
o   Idea of community voice – Rigoberta speaks for her pueblo
o   Idea of presenting a marginalized subject (the Quiche people) and exposing social injustice
o   Idea of the need to bear witness to the cruelties of the Guatemalan government of the time
-          Indigenous culture
o   Focus on customs and traditions
§  Example: entire chapter (III) on nahual
§  Several descriptions of ceremonies and practices for special occasions (such as birthdays, weddings, and deaths)
o   Some descriptions of religious beliefs and practices
§  Thoughts about the differences between indigenous religion and Catholicism, and the effects of Catholicism on the people
§  They seem to embrace some aspects of Christianity, but also don’t give up their own original beliefs (rather, they seem to combine the two)
o   Also describes conventional habits/customs amongst pueblo – how families interact and work, how marriages go, how chores are done, how children (boys and girls separately) act, etc.
§  Description of foods and how they are made (ex: tortillas)
o   Emphasis on continuing past traditions, respecting ancestors and history/tradition
o   Emphasis on respect for nature and natural life cycles
-          Racism/discrimination
o   Against indigenous
§  Unfair working conditions (especially at fincas)
§  Various misunderstandings due to language barrier
§  Unfair dealings over land in particular – they want to steal indigenous people’s land and the indios don’t understand enough to defend it legally
o   Indigenous against ladinos and whites
§  Blame them for what has gone wrong in the pueblo
§  Idea of need of keeping indigenous secrets from ladinos
o   Cultural divide between indigenous and ladinos/government
§  Elections
§  Altiplano vs. finca
-          Gender
o   Women had it particularly bad; their life was harder. Also women were frequently victims of violence (rape)
o   Men were seemingly preferred in some indigenous customs – Rigoberta seems to feel need to justify this at times
-          Political situation – civil war
o   Depiction of violence
§  Examples: the torture and murder of Rigoberta’s little brother; later, the death of her mother and father
§  Rape of many women and murder of many indigenous people
o   Descriptions of how the indigenous people tried to defend themselves and their lands (Rigoberta helped in organizing this defense)

Incredible Plot Summary – Thanks Sparknotes!
During a visit to Paris as part of the Guatemalan political organization known as “the 31 January Popular Front,” Rigoberta Menchu meets Venezuelan anthropologist Elisabeth Burgos-Debray and agrees to tell her life story so that it can be transformed into a book. The two work feverishly for several days, Burgos-Debray questioning Rigoberta, who tells her story in Spanish, her second language. The result is several hours’ worth of recorded interviews that Burgos-Debray transcribes and arranges as I, Rigoberta Menchu.
As far back as Rigoberta, a Quiche Indian, can recall, her life has been split between the highlands of Guatemala, known as the Altiplano, and low country plantations, or fincas. Each year, she and her family spend about eight months at the fincas working for ladinos, Guatemalans of Spanish descent. Starvation and malnutrition are constants at the finca, and the Indians are routinely sprayed with pesticides. Rigoberta and her people find respite in the months they spend in their small village in the Altiplano that they call home. In the deeply wooded Altiplano, Rigoberta’s life centers around the ceremonies and traditions of her community, many of which celebrate the natural world. At the fincas, she and her people struggle to survive in cramped, miserable conditions at the mercy of wealthy landowners and their overseers. They move between the two worlds each year in a truck covered with a tarp, and by the time she is eight years old, Rigoberta is already a hard worker, capable of picking several pounds of coffee each day.
Though she lives in a traditional Indian society, Rigoberta’s awareness of a world beyond the finca and the Altiplano begins to dawn when she is still quite young. When her younger brother, Nicolas, dies of malnutrition while at the finca, Rigoberta begins to feel both angry and afraid of what the future will hold for her. Visiting Guatemala City, the capital of Guatemala, with her father, whom she idolizes, Rigoberta is at once terrified and compelled. As she grows older and begins to develop a conscience, Rigoberta starts to yearn for change, both for herself and for her community. She craves education and wishes above all to learn to speak Spanish so that she can explore the world outside of the Altiplano and the finca. Though she begins to follow in her father’s footsteps and take on leadership duties in her community, she also yearns to learn about the world and its people.
When she’s offered a job as a maid at the home of a wealthy landowner in Guatemala City, Rigoberta leaps at the opportunity, hoping she’ll get a chance to master Spanish. Immediately upon arriving in Guatemala City, however, she understands the discrimination that exists for people of her heritage. At the landowner’s home, even the dog is treated better than she. The most influential force in Rigoberta’s life as she figures out the various household tasks is Candelaria. Like Rigoberta, Candelaria is an Indian, yet she has learned to speak Spanish and dresses as a ladino. She has also figured out how to get under the mistress’s skin and routinely sabotages her by neglecting certain chores and talking back. When Rigoberta’s father comes to the mistress’s house and asks for money, Candelaria convinces the mistress to contribute. Rigoberta doesn’t follow in Candelaria’s footsteps right away, but Candelaria’s rebellious spirit has an impact on her that continues even after Candelaria is booted out of the house.
Upon returning from her work in the capital, Rigoberta finds out that her father has been jailed because he refused to cooperate with ladino landowners who attempt to claim the land in the Altiplano where Rigoberta’s community lives. This is the first of several times that Rigoberta’s father is jailed, and Rigoberta and her siblings work constantly to free him for good. After the landowners and the government repeatedly hoodwink the Indians, the Indians decide to defend their lands and rebel against the Guatemalan powers. Led in part by Rigoberta’s father, they form the Peasant Unity Committee, or CUC, to pool their resources against the powerful ladino government and business owners. By this time, Rigoberta has taken a leadership role in her community, and she and the rest of her family play a major part in helping the Indians develop strategies to defend their lands against the Guatemalan army. The Indians rely on simple weapons such as traps and knives to fight back, and they are inspired in their cause by the Bible’s stories of disenfranchised populations and people.
After securing her own people’s holdings, Rigoberta goes on the road as a representative of the CUC, helping Indian communities secure their lands and outsmart the Guatemalan army. As the CUC becomes increasingly influential, Rigoberta and her family find themselves more at risk. First, Rigoberta’s brother, Petrocinio, is kidnapped and burned alive while Rigoberta’s entire family and village are forced to watch. Then Rigoberta’s father leads an offensive on Guatemala City and is killed along with a group of protesters while storming the Spanish Embassy. Finally, Rigoberta’s mother is kidnapped, raped, tortured, and murdered. Rigoberta responds by renouncing marriage and motherhood and becoming more involved in the peasant cause, leading strikes and other rebellious actions until she finds herself in danger and is forced into exile. Though Rigoberta’s sisters join the guerilla army to fight for the rights of Guatemala’s Indian peasants, Rigoberta decides to take a diplomatic route, telling stories of her people and putting legislation into place as a way of furthering the rights of Indians.

Cambridge Lat.Amer: Chap. 8 - Central American Novel



“Chapter 8: The Central American novel” – Roy C. Boland Osegueda

Comps people mentioned:
-          Ruben Darío (pg. 163)
-          Miguel Angel Asturias, El señor presidente (pg. 169)
-          Me llamo Rigoberta Menchú (pg. 172)

General notes:
-          Central American novel paralleled developments in the rest of Latin America, although it usually lagged behind in the latest styles and techniques (162)
-          Ruben Darío (163)
o   Nicaragua
o   Modernismo – poetry, but not much work in novels
-          Various literary trends after modernismo (165)
o   Costumbrismo = relating to the folkloric representation of customs and manners
o   Antiimperialismo = attacking US hegemonic ambitions
o   Criollismo = focusing on various aspects of national and/or regional reality
§  Attempted to capture the essential spirit and nature of the region (168)
o   Indigenismo = defending Indian rights and culture
-          Harsh, overtly political outlook of many Central American novelists (166)
-          Criollismo
o   Attempted to capture the essential spirit and nature of the region (168)
o   Central preoccupation was the conflict between civilization and barbarism as embodied in the opposition between tradition and modernity, rural values and metropolitan mores (168)
o   Nature portrayed as a primeval force that dominates the lives of the protagonists
-          Miguel Angel Asturias, El señor presidente (1946) (169)
o   Urban setting, set in an archetypal city
o   Denunciation of the dicatorship of General Estrada Cabrera in Guatemala (from 1898 to 1920)
o   Call to arms against the dehumanizing militarism that had thrown a pall over Central America since independence
o    “anticipates ‘magical realism’ in the way it fuses fantasy and reality to project a totalizing vision”
o   Reinforces Central America’s mestizo identity – Western and Amerindian, Christian and pagan
-          Role of indigenous culture in forming a Central American identity was crucial in first half of the twentieth century (169)
-          “A mode of non-fictional, documentary narrative known as testimonio characterized the last half of the twentieth century, particularly in Guatemala, Nicaragua, and El Salvador, the three republics that endured the immediate traumas of revolution, post-revolution, or civil war” (171)
-          “The principal feature of testimonial writing is that the narrators are also participants who feel an urgent need to ‘bear witness’ to their time and place and history” (171-172)
-          Me llamo Rigoberta Menchú, y así me nació la conciencia (1938) (172)
o   The “classic” of the testimonial genre
o   Possibility that it fictionalizes personal and historical truths in order to dramatize its political message
-          “Testimonial fiction” tends to privilege the voices of the subaltern (gah, Spivak flashback!) (172)
-          “The question of identity has been a major concern in Costa Rica, where women novelists continue to figure prominently” (177)
-          “The most recent development in the Central American novel has been the product of new diaspora: the massive emigration to the USA from a region convulsed by poverty, oppression, and war” (178)

Thursday, June 27, 2013

El Señor Presidente - Miguel Angel Asturias- (1946)

The full text (in Spanish) is available online, here.



Sobre el autor y la obra
-          Asturias
o   Guatemala, 1899-1974
o   Grew up during Estrada Cabrera’s dictatorship, which fell in 1921
o   Studied Maya language and anthropology in Paris
o   Broke with realism because of the limitations of the genre when it came to representing the Indian (Franco 250)
-          Novel exposes Guatemalan dictatorship

Political/social context
-          Estrada Cabrera’s dictatorship lasted from 1898 to 1921
o   Economical injustice, racism/discrimination against indigenous, etc.

Comps Example Questions
-          Discuss Central American authors/works: context, cultural, ideological and aesthetic relationships and differences: Asturias, Menchú-Burgos, Argueta and Cardenal.
-          Boom, realismo mágico, and lo real maravilloso; postboom and neobarroco; precursors; modernity (see the “Modernismo since 1940” section of list) and the controversy over postmodernity in Spanish America. Authors: Borges, Huidobro, García Márquez, Rulfo, Carpentier Asturias, Cortázar , Allende, Puig, Sarduy, Fuentes, Poniatowska, Valenzuela. Note: other movements which are associated with some of these writers, such as surrealism (Cortázar) or the use of popular culture and other genres in narrative (Puig), etc. Some suggested, secondary readings: Rodríguez Monegal, Shaw, González Echevarría, Hutcheon.

What Franco says (Chapter 11, pg. 319)
-          Introduces us into the nightmare world of dictatorship
-          Summary – pg. 319
-          Strict political system is undermined only by love
-          Prose reproduces nightmare world, through repetition and dream sequences

What Cambridge Companion: Latin America says (Chapter 8, pg. 169)
-          Urban setting, set in an archetypal city
-          Denunciation of the dicatorship of General Estrada Cabrera in Guatemala (from 1898 to 1920)
-          Call to arms against the dehumanizing militarism that had thrown a pall over Central America since independence
-           “anticipates ‘magical realism’ in the way it fuses fantasy and reality to project a totalizing vision”
-          Reinforces Central America’s mestizo identity – Western and Amerindian, Christian and pagan

Basic Plot Summary:
Part ONE:
Begins on Cathedral Porch, where a beggar is harassed. Beggar gets angry, kills one of president's military men. Some other beggars are tortured and false information about the murder is revealed (an ex-military man and an independent lawyer). President may have plotted these accusations and wants Canales (ex-mili) to flee as "confession" of guild. 
One of president's cronies, Angel Face, who tells Vásquez that he's going to kidnap Canales' daughter as a ruse to authorities. Later, Vásquez shoots beggar who killed president's man. Conversations go on with various people, Canales escapes, and Angel Face kidnaps (safely) Camila (daughter)

Part TWO: 
Fedina (one of the women from night before) is going to Canales house to warn him about kidnapping, but she is too late and she is taken in, tortured, for info on Canales' location. Also, kill her baby.
Angel Face, meanwhile, is in a struggle b/t physical desire for Camila and desire to become a better person in a world ruled by terror. Camila gets sick. 
Fedina is purchased by a brothel, but sent to hospital. Canales, meanwhile, manages to escape country after saving three sisters by killing a doctor who harassed them with the payment of an absurd debt. 

Part THREE:
Student, sacristan, and Abel Carvajal talk in a prison cell to avoid loneliness. Carvajal's wife is trying to get him freed, but he is unable to defend himself against falsified evidence and sentenced to execution. 
Angel Face marries Camila. Canales dies suddenly in the midst of plans to lead a revolution when falsely informed that the President has attended his duaghter's wedding.
President runs for re-election, Angel Face entrusted with international diplomatic mission. Farfan arrests Angel Face, beaten, and imprisoned on President's orders. Impostor takes him place on departing ship. Camila gives birth to their baby, moves to countryside. In prison, the only thing keeping Angel Face alive is hope of seeing Camila. He dies, heartbroken, when falsely told she is the president's new mistress.

Epilogue: 
Old puppet master at Cathedral Porch has gone mad from "environment of terror" he's been made to endure. Ends with Kyrie eleison, hopeful-Lord have mercy. 

Some general thoughts/ideas
-          Explores political dictatorship + effects on society ( dictator novels attempt to examine the abstract nature of authority figures and to question the idea of authority in general instead of focusing on the rule of a particular dictator)
-          Early magical realism (the real disappears, the dream emerges/dreams are transformed into a tangible reality)
-          title character is inspired by 1920 presidency/dictatorship of Estrada Cabrera
-          delayed publishing b/c of censorship
-          novel as link between European Surrealism and Latin American Magical ReAliSm.
-          Language: use of dream imagery, onomatopoeia, simile, repetition of particular phrases, discontinuous structure. Characters have less psychological depth, more external conflicts/archetypal writing
-          President is never named which lends a mythological dimensions (must be continually re-defined and re-evaluated). 
-          Also, Prez is "inverted image of both Christian/Mayan deities since he is the source only of death." 

Major Characters
-          El Presidente – never named, somewhat mythological/vague dimension; represents political corruption
-          Miguel Cara de Ángel – protagonist, the President’s confidential adviser and his “favorite”… he struggles to remain loyal to the dictator in the face of the regime’s increasingly horrific acts
-          General Eusebio Canales / Chamarrita – forced into exile after being accused of the murder of Colonel José Parrales Sonriente. In episode with doctor and sister, we see corruption and malice in rural areas as well as capital city
-          Camila – General Canales’s daughter, who is somewhat reluctantly rescued by Miguel Cara de Angel after her father’s exile; becomes Miguel Cara de Angel’s wife; she represents the adolescent who had been denied even the smallest margin of liberty
-          El Pelele / The Zany – “the Idiot”; original/catalyst beggar; he loves his (dead) mother obsessively By choosing the Idiot as a representative of the innocent, the a-political, who suffer the abuses of a totalitarian regime, Asturias shows how dictatorship corrupts people and destroys their values to the extent that compassion for one's companion in distress ceases to exist." His only happy moment is in a dream-like state, which highlights harsh reality.

Temas/ideas importantes
-          Estilo de escritura / genre
o   Breaks way from historic and realist trend and uses a style much closer to the “boom, new novel” sort of experimental style
o   Surrealist
o   Frequent use of figurative language (onomatopoeia, simile, repetition of phrases) – this is somewhat baroque
o   Frequent appeals to the reader’s auditory senses
o   Some stream of consciousness writing
-          Magical realism
o   “Most evident in Asturias’s exploration and depiction of the innermost reality of the human mind” (Richard Franklin, Wikipedia)
o   Inanimate objects act and feel
-          Surrealism
o   Experimentation with language
o   Figurative language
-          Influence of social context – dictatorship
o   Dictator was Manuel Estrada Cabrera, then followed by Jorge Ubico
o   Critique of dictatorial rule throughout Latin America
o   “first real dictator novel” (Gerald Martin, Wikipedia)
-          Reality vs. dream
o   Unclear time scale; avoids specific dates (gains wider audience this way)
o   Idea that the President is who decides what is true, denying any other opinion, even if other characters witness an event with their own eyes or ears (Wikipedia)
o   Example: Carvajal’s arrest – reality unexpectedly becomes unreality (falsely incriminated); no longer comprehensible by a logical mind
-          Writing and power
o   Power of literature/writing. Asturias uses language to challenge dictatorial power.
o   President has authority over the people through his control of what they write.
o   Language can be manipulated into lies that eventually kill.
o   Example: Miguel Angel Face is killed by the manipulation of words – he is told that Camila has become the President’s mistress, and upon hearing this falsified news, he loses the will to live
-          Hope
o   Hope is suppressed by the dictatorship – love is the only thing that offers hope
o   Camila represents hope at some points in the novel, but this hope is destroyed by the President
-          Alienation (due to tyranny)
o   Dictatorship alienates the people of the country and creates “others”
o   Dictatorship also prevents the country itself from achieving European modernization
o   Characters slowly lose identities under the conditions of the dictatorship
§  Ex: El Pelele
-          Fertility vs. destruction
o   Best represented in opposition between the President (destruction, sterility) and Miguel Cara de Angel (fertility, positivity)


The Book – General Plot Notes
I) 
-begins with alliteration, rhyming
-lazo común of beggars is la miseria.. They were almost enemies of one another (shared food with dogs before their colleagues)
-mentions women with hankies soaked with tears, wiping the bloody footsteps of their man being taken political prisoner…
-el idiota, Pelele…a él también le daba risa su pena, hambre….
-José Sonriente dies rather brutally at the hands of Pelele.


II La muerte del Mosco
-Sus compañeros lagrimeaban como animales, tormented by darkness, suffering of hunger and thirst, worried that they would be made into car soap or decapitated to feed the police (CRAZY nightmares about life). 

-all of the beggars being interrogated by police, name Pelele as the murderer. 
-then Auditor name Canales and Carvajal. (the beggars are beaten for telling the truth)

III La fuga de Pelele
Pelele flees through the "calles intestinales" of the city. "Corría sin rumbo fijo"
mentions all of those who are associated with the president...corruptly earning money at expense of others.
When he's on his own, Pele makes lots of weird noise "disociación de ideas. elasticidad del mundo en los espejos..."

IV Cara de Ángel
Pele dreams of his mom. She is a maternal refuge for him. More dreamy wandering. 

Then, this beautiful girl-tez de dorado mármol, cabellos rubios, aire de mujer en contrast con la negrura de sus ojos varoniles...un ángel, piensa el leñador. 
Leñador mentions that los pobres son los más conformes and when children learn to read, andan influenciados de cosas imposibles

V) Ese animal!
President talks to Doctor Barreño. Says he'll tell about how he was injured in war, many ppl died in mili hospital because of poor medical treatment (he knows what caused their deaths). President doesn't want to hear anything that will discredit him. Adiós, doctorcito
-again, general disinterest in learned people.
-Ese animal era un hombre pobremente vestido, con la piel rosada como ratón tierno...Prez orders him to be beaten. Treatment is brutal...repeats that he can't even scream to relieve himself. Prez is unmoved by the fact that he dies in his beating. 

VI)
La cabeza de un general
Angel Face, el hombre de toda la confianza del Presidente....era bello y malo como Satán. Sucks up to president and tells him he should be the leader of Switzerland! or France! (the unattainable Euro dream) 
Prez tells him that they want Canales to flee. 
Later, Angel Face meets Camila in the bar.

VII)
Absolución Arzobispal
After the assassination of Sonriente, the Secret Police always kept a close eye on el Portal del Señor. Police seem to be waiting for the crazy man who actually did kill Sonriente (?) according to one guy at the bar. 
Two men (Rodas, Vásquez?) shoot and kill Pele. No one saw anything, "pero en una de las ventanas del Palacio Arzobispal, los ojos de un santo ayudaban a bien morir al infortunado..." As he died, he absolved him, "abriéndole el Reino de Dios" (ironic)

VIII)
El titiritero del Portal
-puppet master with silly words? That's all I got from this chapter. 

IX)
Ojo de vidrio
La impresión de los barrios pobres a estas horas de la noche era de infinita soledad, de una miseria sucia con restos de abandono oriental, sellada por el fatalismo religioso que le hacía voluntad de Dios. 
We are now in the home of Fedina and Genaro. Secret police just came by. Her husband starts to have visions of an eyeball. "Es que me veo las manos. ¡No, no puede ser! Son mis ojos, es un oko...!" she thinks he's drunk. He's on to what's happening... "Lucio me contó que hay orden de captura contra el general Canales y que un tipo que él conoc se va a robar a la señorita su hija ahoy en la noche." -Camila, it turns out, is the friend of Fedina. 

X) Príncipes de la milicia
Canales leaves Angel Face's house. Canales knows that if he escapes, it's like admitting his guilt. He's told that it doesn't matter if he's guilty or innocent-what matter is if he has the favor of the govt', el amo. A man writes a letter-parece teje una telaraña.
It is a letter- Angel Face has been seen by the cook, who is a spy. It's reported he talked to Canales for 45 minutes. 

XI) El rapto
Vásquez and La Masacuata have a romantic encounter.
Angel Face tells his cronies that once the girl is in his hands, they can sack the house. It's evening and with a quick bribe of a policeman, Angel Face is on his way. Basically, the idea is to distract gendarmes with the kidnap so Canales can escape. "Un tonto, un loco, y un niño no habrían concertado tan absurdo plan." 
Angel Face has second thoughts- "Relampagueó en su frente la idea de volver atrás, llama a casa de Canales, prevenirle...
Then, Canales sort of says goodbye to his daughter..."Así abracé a tu madre cuando salí a la última guerra en defensa de la patria. La pobrecita se quedó con la idea de que yo no regresaría y fue ella la que no me esperó..."
Canales doesn't feel it's dignified to flee...but he just imagines himself coming back with una revolución libertadora. 

Part Two 
24-25-26 de abril

XII) Camila 
C. is in front of the mirror, "15 años y no paso de ser una burrita con muchos tíos y tías, primos y primas, que siempre han de andar juntos como insectos." (Not feeling like an independent adult.-doesn't go out much)

Now, flash forward and Vásquez and Cara de Angel are kidnapping Camila. Police are stealing things from her house. Yesterday, things were fine-today, her flowers have been trampled, her canary is dead...
Camila is crying...Angel Face le acariciaba la cabeza. 

13) Capturas
Auditor comes to the house and says: ¿Qué... que... que se ha fugado...? —rugió aquél; dos venas se le hincharon en la frente como interrogaciones negras— ... ¿Y que, que, que, que han saqueado la casa?..." HOW DID HE ESCAPE? ¡Ordenes; para eso se inventó el teléfono, para capturar a los enemigos del gobierno!  (Anti-modernity-use technology to control, not liberate)

14) ¡Todo el orbe cante!
Beginning of chapter is image of class divide-farmers vs. casas ricas....bread deliverymen under the weight of their basket....
Ridiculous discourse:  "el sol, en este día de radiante hermosura, el cielo viste, cuida su luz tus ojos y tu vida, enseña del trabajo sacrosanto que sucede en la bóveda celeste a la luz la sombra, la sombra de la noche negra y sin perdón de donde salieron las manos criminales que en lugar de sembrar los campos, como tú, Señor, lo enseñas, sembraron a tu paso una bomba que a pesar de sus científicas precauciones europeas, te dejó ileso (without lesions)...» (Trying to get support of lower classes)
Then, Auditor hears some explosions. 

15) Tíos y tías (I don't really know what's going on anymore...there are some side stories and I'm distracted)
¡Qué cuento es ése! Un crimen es siempre repugnante y más en este caso, tratándose de quien se trataba, de una persona apreciabilísima por todos conceptos, de un hombre que era la honra de nuestro Ejército y, sobre todo, diga usted, de un amigo del Señor Presidente.

Tío Fulgencio, guy who sells lottery tickets (writes down his dialect) 
Woman, Judith, says, 'El dinero no respeta sangre!'

16) En la casa nueva
Niña Fedina is locked up in a dungeon, era casi una sepultura en forma de guitarra. Find on her a letter from Canales. Changes the lyrics of Cielito Lindo song to say: De la Casa-Nueva a las casas malas, cielito lindo, no hay más que un paso,. ...Later "quiso alejarse de aquel mundo de locuras perversas." She prays. Auditor comes and interrogates her. (Again, like original guy who's blamed, the truth counts for nothing)
she hears her son crying...Auditor says, "He'll die of hunger if you don't answer!"
"Fedina callaba como una bestia herida" -again, mother as self-sacrificing, to no avail...she can't hear the voice of the Auditor, just the cry of her son. 

17) Amor urdemales
We are with Camila and Masacuata (Angel Face?). Cara de Ángel se veía en aquella luz disminuido en su personalidad, medio enfermo, y miraba a Camila más pálida, más sola y más chula que nunca en su trajecito color limón. Camila wants to go to her Tío Juan's house. Angel Face tries to tell her they don't want to see her. She says they're nuts. 

18) Toquidos
Goes to Tío Juan's house. No one answers her. She finds out that her family does ignore her. Y al salir sintió por primera vez, desde la muerte de su madre, los ojos llenos de lágrimas.

19) Las cuentas y el chocolate
Auditor is drinking his chocolate, someone knocks on the door. There is a "New girl" at the Casa Nueva, want to buy her for 10.000 pesos. 
Now, orden de captura contra Angel Face....

20) Coyotes de la misma loma
Telling the story of the night at the cathedral. (I think this is Vásquez and Rodas telling how they shot Pelele). In his interrogation, we find out Vásquez is single, worked for gov't, doesn't know how old he is. Auditor says to write down that Vásquez murdered Pele with Rodas' help. 

21) Vuelta en redondo
Angel Face is thinking, imagining things: El piso, más que de cemento, parecía de hielo. ¡Qué horror! De hielo con sal. De hielo de lágrimas. Then, all sorts of weird thoughts about urine, women, cemeteries....

22) La tumba viva. 
Fedina's son "había dejado de existir". she cries incessantly for him. 
She's still in prison:  El ambiente, para las personas de cierta edad, conservaba su aire de convento. Antes de ser prisión de delincuentes había sido cárcel de amor. Mujeres y mujeres. Women look at her as she holds her dead baby. (Maybe she's in the whorehouse now...and all of the women are kinda curious about her). There is a strange empathy for her: A todas se les había muerto aquella noche un hijo

23) El parte al Señor Presidente
Observations about people in city, their whereabouts and actions, others begging/asking the president for things or privileges (I suppose this part is to show the absolute control that a dictator exerts). Also, gives some information-e.g FEdina is sick. 

24) Casa de mujeres malas
"surtido de mujeres" en El Dulce Encanto...todas olían a hombre-olor acre de marisco viejo (GROSS). Mentions their "clients" too- journalist, burgués, lawyer, civil servant...One woman is crying about her ovaries (HUH?) Most are only concerned that if she's really injured, the police could come and they'd get in trouble. 
Don 'Miguelito' comes, talks to Top Lady, and tells her about the useless girl she has there. She paid good money for her and now...(Top Lady keeps telling the story about how Fedina arrived, dead baby, etc- —Aquí en casa lo velamos; las muchachas son muy embelequeras. Hubieron tamales...)

25) El paradero de la muerte
Camila goes to confession. She's very innocent- her only sin is missing mass and riding a horse like a man[this part shows that indios don't count as people because "no people saw her...just indios"] (clock tic-tocks in the background). Priest says: —Y tú te sentiste por eso capaz de igualar al hombre y por lo mismo en grave pecado, ya que si Dios Nuestro Señor hizo a la mujer, mujer, ésta no debe pasar de ahí,. 

Example of corrupt system: El delito de sangre era ideal; la supresión de un prójimo constituía la adhesión más completa del ciudadano al Señor Presidente.
Dos meses de cárcel, para cubrir las apariencias, y derechito después a un puesto público de los de confianza, lo que sólo se dispensaba a servidores con proceso pendiente, por la comodidad de devolverlos a la cárcel conforme a la ley, si no se portaban bien.

26) Torbellino

?
27) Camino al destierro
Canales listening to indio discuss theft and thieves. Indio says, " —Vas a ver, tatita, que robo sin ser ladrón de ofice, pues antos yo, aquí como me ves, ere dueñe de un terrinete, cerca de aquí, y de oche mulas. Tenía mi casa, mi mujer y mis hijes, ere honrade como vos..."And the President demanded that he turn over his things. Involves hipoteca de tres mil pesos.
Canales has sympathy-the feelings of un hombre de bien in the face of injustice. Canales offers to take him to another state and, like a tree with no roots, he agrees.
Now, three kids with no parents, forced to pay back 9.000 pesos or give their house... Threaten to take their mother out of the grave.
Canales gets a righteous anger. Yo juro hacer la revolución completa! And just like that, shoots the doctor. Neighbors come out and see the scene, but they don't really react too much.

Part three
Semanas, meses, años

28 Habla en la sombra
3 voices talking in prison. Want to know how life outside the cell walls is going. One is afraid of silence. One notes that their lashings are so painful, even their grandchildren will feel them. 
Sacristán tells why he's there. I was just walking around the church, changing the schedule and I took out the papel del jubileo de la madre del Señor presidente (como no sé leer...)

Student wants to talk about freedom....Don't sick people talk of healing in a hospital? Sacristán wants to pray and student wants revolution. 

29) Consejos de guerra
14 witnesses about what happened between Canales y Carvajal. (again saying they're guity of Sonriente's death) Meanwhile, Carvajal is shocked as to what he finds in his file....all false! This seems like a dream, mitad rido, mitad comedia bufa. In the jail, a man keeps screaming, dying of thirst...they execute him around 3 am. 

30) Matrimonio in extremis
How Camila can be saved: Pues yo tengo la clave; provocaremos el milagro. A la muerte únicamente se le puede oponer el amor, porque ambos son igualmente fuertes, como dice El Cantar de los Cantares; y si como usted me informa, el novio de esa señorita la adora, digo la quiere entrañablemente, digo con las entrañas y la mente, digo con la mente de casarse, puede salvarla de la muerte si comete el sacramento del matrimonio, que en mi teoría de los injertos se debe emplear en este caso.
So, they arrange for a marriage between Angel Face and Camila.

31) Centinelas de hielo
Wife of Carvajal comes to jail, wants to know if he's alive. She goes to President, says they're going to fusilar mi marido...again, begging for mercy. . No era posible que lo fusilaran hombres así, gente con el mismo color de piel, con el mismo acento de voz, con la misma manera de ver, de oír, de acostarse, de levantarse, de amar, de lavarse la cara, de comer, de reír, de andar, con las mismas creencias y las mismas dudas...

32)
El Señor Presidente
Angel Face wants to know how Camilia is doing. Angel Face meets with Prez...things are different-sonrió para cubrir su encono. 
President finds out that Camila and Angel Face gets married.reads it in the newspaper but doesn't believe it!

33) Los puntos sobre las íes
Wife gets a letter about the death of Carvajal (from a supposed son-of-a-victim of Sonriente)

Rodas (who must be indio? doesn't speak much spanish), is given a sentence of 6 yrs. 8 mos for being an accomplice. 

Carvajal's wife enters scene again; wants to know where her husband was buried. 

XXIV Luz para ciegos
Camila, with her marido, "Andaba fuera del mundo, con los ojos abiertos, recién nacida, sin presencia..."

Example of narrative style: La luna desapareció completamente tras el cráter erecto y una neblina de velos de novia se hizo casa entre las casas. Cara de Ángel cerró la ventana. En la alcoba de Camila se percibía su respiración lenta, trasegada, como si se hubiera dormido con la cabeza bajo la ropa o en el pecho le pesara un fantasma.

(seems like a chapter in which Cam. and Angel Face are just hanging out....?)

35) Canción de canciónes
Pres is throwing a party- obligatory attendence. On their way out of the town, an official stops their carriage....arrive at the party....small talk.
Something strange happens at the end of the chapter: Se abrieron las puertas y mientras los caballeros que habían pasado la fiesta en el corredor ganaban la sala tiritando, el Poeta vino hacia Camila y la invitó a cenar. Ella se puso en pie e iba a darle el brazo cuando una mano le detuvo por detrás. Casi da un grito. Cara de Ángel había permanecido oculto en una cortina a espaldas de su esposa; todos le vieron salir del escondite.


36) La revolución
Canales dies...Camila finds out days later that it's because some newspaper reported that the Prez was padrino in the boda.

37) El baile de Tohil
Angel Face at the bar.
Cartelón impreso with message about the President (Completely b.s propaganda- "hombres libres", we want his re-election)  vamos a mejorar el país; mas, como te decía al principio, nadie hace nada y, naturalmente, soy yo, es el Presidente de la República el que lo tiene que hacer todo.

Angel Face has some vision, says goodbye to pres.

38) El Viaje
Angel Face cries because Camila is moving away. He tells her to write often and don't trust anyone. (Headed to new york?)

39) El puerto

Y desde entonces que esta Cara de Ángel andaba en cuentos con el general Canales; era un ten con ten con su hija, la que después fue su mujer, y que, según dicen, se comió el mandado del patrón. Todo esto lo sé yo porque Vásquez, el Terciopelo, lo encontró en una fonda que se llamaba El Tus-Tep, horas antes de que se fugara el general.


40) Gallina Ciega
Camila gets letters from Angel Face.
Time passes...Pero un buen día la enferma salió a la calle. Los cadáveres flotan. Refundida en un carruaje, hurtando los ojos a los conocidos —casi todos escondían la cara para no decirle adiós— estuvo ir e ir adonde el Presidente. Su desayuno, almuerzo y comida era un pañuelo empapado en llanto. 
President won't respond to her. She writes the consul. they tell her he might have gone to Singapore?!  (but, according to wiki, this is an impostor) She gets more ill, has a baby now.

41) Parte sin novedad
Angel Face. Diverts himself in prison by thinking about really mundane things-life there is boring and awful. Dos horas de luz, veintidós horas de oscuridad completa, una lata de caldo y una de excrementos, sed en verano, en invierno el diluvio; ésta era la vida en aquellas cárceles subterráneas. He stays vibrant by imagining life with Camila. He's been there for years. Then, from some informe, a woman matching Camila's description is described as being the Prez's new squeeze.