Showing posts with label a book i actually enjoyed reading. Show all posts
Showing posts with label a book i actually enjoyed reading. Show all posts

Monday, July 22, 2013

Amor, Curiosidad, Prozac y Dudas-Lucía Etxebarría (1997)

This is a quick read-you can do it in a day, if necessary.

Wiki:
Amor, curiosidad, prozac y dudas, es la primera novela de la escritora española Lucía Etxebarria, publicada en 1997.
Como en otras novelas de esta autora que se define como feminista, se exploran aquí distintos modelos de mujer contemporánea: la perfecta ama de casa, la chica que vive la noche y la gran ejecutiva, tres hermanas y sus conflictos.
Por el gran éxito que obtuvo, se considera una de las novelas clave de la llamada Generación X en España, junto a Historias del Kronen de José Ángel Mañas o Caídos del cielo, de Ray Loriga.

Brief, but probably useful, reseña available here.

My notes
 
A de atípica
First polvo in a month with a guy with small equipment who took too long.
Flashback to childhood-went to Catholic school, disappointed to find out that God was a man and a father (since her father was no good). Also, recognized breach between blonde statue of Mary and real, morena Mary, personaje secundario. Remembers learning about virginity….algo que todos los varones intentarían arrrebatarse a toda costa.
Now she’s a waitress, also a student. Sisters: one is executive, one is maruja (housewife). She has endometriosis, which can cause sterility..then finds out she has an excess of testosterone. And her sister Rosa (exec.) has a lack of serotonin, so she has prozac.
B de bajón
In life, everything accumulates. Recounts her friendship as a girl with a 13 y.o boy.
C de curro
“Por eso nos gustan tanto los paraísos artificiales: nostalgia de tiempos mejores.”  Mentions working overtime for crappy pay. Starts to devalue herself and her life (drinking + drugs). So one day, she hits “delete all” and leaves that job. And now she’s a waitress.
D de deseo y destierro
(Note: very contemporary and sometimes vulgar language) . Keeps partying, doing drugs, hooking up.  “Generation X. Hay que joderse.”
E de enclaustrada, enamorada, empleada y encadenada
Notes how her sisters have a pretty negative opinion of the fact that she works in a bar.  Mentions to her sister than men her age have been living with their moms for 20 odd years, moms who didn’t work and just lived to pamper then and schools that told them to look for mujeres dulces, calladitas y sumisas. Yet, she is a feminista. YET, even though her sister Rosa gives her a hard time, Rosa stands up for her.
F de frustrada
Mentions university study about the low chances women with degrees have to get married after the age of thirty. Again, mentions how many hours she works and how she has to wear a suit to be taken seriously. Mentions eating low-cal processed food and watching TV.
As a child, ‘tenía mis libros, mis discos y mi universo propio, y no me importaba aquel de los demás’. Always mentions how she was at the top of her class.
Sees her childhood friend Gonzalo at her sister Ana’s wedding. feels sexually attracted to him.
G de gastada y gris
Mentions that men catcall her on the street, even though she’s no knockout. Mentions the key difference bt she and Ana: Putón vs. maruja.
Iain, her boyfriend, had dumped her.
And, a half an hour after her visit with her sister started, she goes…”habré cumplido con mis deberes de hermana.”
H de hastío
Tells story of her parents…Mamá era niña de familia bien de San Sebastían, studied to be a pharmacist, quite conservative university life. Met her dad at a party. Dad studied economics and made her laugh a lot. She’s closer to her mom’s family than her dad’s family. But then, he drank too much. Her dad left when she was 12 years old. He got physically abusive.
I de intolerancia
In her purse (microcosm of her world)- tampons, book, kleenex, condoms, undies, lipstick…
Lots of talk of sex, orgasms, etc. Conclusion: ellos lo tienen más fácil.
J de jeringuilla
“El cielo muestra un aspecto tan gris como mi propia vida” Passes a group of politoxicómanos in the street.
“¿Qué sentido tiene la vida de una mujer de treinta años brillante, professional, bien pagada y sola?”
K de kool
First time with Iain, she was really drunk. Yet, since she has an impression of Brits as kinda nutty in the head, she worries about her safety. But, turns out, he’s not a psychokiller.
L de lágrimas.
Says she feels like a puzzle piece in the wrong puzzle box (this book shows a person’s existential crisis… Is this postmodernism?)
La vida es como la cola de un supermercado: lenta, incómoda y llena de gente insoportable
Now she’s with Borja. Mentions impatience of everyone in the supermarket. She screams when she forgets her wallet, then cries from the embarrassment of it all.
LL de llanto y llaga
We don’t miss the people we loved. We miss the part of us that they take with them. “He crecido entre discos”. Gonzalo showed her lots of other musicians...Dylan and Hendrix. mentions that the group she loved the most were the kinks….
M de melancolía y mustia
Information from her life is in her brain, floppy disks, computers, etc (technology and the modern human) Leads you through chain of consciousness…saw a girl who reminded me of a girl I went to school with. Remembers gradeschool crushes. Divides her class into girls that are ratitas grises and listas gatitas. Feels more empathy for the black sheep. Mentions her first kiss and how unaware she was of the whole show.
N de neurótica, naufragio, y nostalgia
No one talked about sex in her family. Mentions how her COUSIN was not good at “it”. Mentions renting porn to see how people had sex- “atípica educación sexual”. Her bf Iain was a jealous type, didn’t talk to her friends. She starts living with him, poco a poco. Finds a letter from one of his ex-gfs.  Wonders why he never mentions her. Ends up breaking up with him because he’s a jealous guy and she fancies herself a modern woman.
Ñ for ñoñería
Mentions being encerrada with some frequency. Chapter seems to be written in Ana’s perspective of Cristina. Mentions a drunk, wreckless teenager, goes to the hospital for drug use, how she cut her legs and made the bathroom all bloody. Really, there were two Cristinas-the hysterical one and the super enchanting lovely one.
O de obsessón
Speaks of depression. Suicidal. Cuts herself in front of Iain. Yet she’s obsessed with him…unhealthy relationship to say the least.
P de poder
Palabras que me definen: E-mail, proyectos, equipos, multimedia, liderazgo…My rise was meteoric. Graduated at 22, directora financiera by 28 (Ana again?) Had an anonymous caller. Lost her virginity at 21 to a professor. But, then, never had a good relationship because of her role in the business world.
Q de querer, queja, y quiebra.
List of desperate lovers who never love again once their true love is gone.
R  de rota, rancor y rendida
My marriage is ending (ana’s perspeetive) and Borja has made it this long for the child. She’s given up on going to the market every day, keeping the house clean, etc. Doubts her belief in God. Doesn’t forgive her father for going with another woman. Mentions two guys who kinda take advantage of her. Then, she met Borja, who was a nice boy. Wanted to get married in the church to show that “yo valía la pena.” She tells him about the time she lost her virginity (which was not quite true)…yet he didn’t recall (modern relationships b/t men and women). Has her first child and loves it more than Borja. In the end, “no ha merecido la pena demostrar que soy una buena chica.”
S de susto
Only two ways to live life-with or without drugs. Police detain her and her friends for drugs; they’re interrogated at the station. They’re released and the policeman even said they were the sweetest girls he’d seen pass through.
T de truinfadores
Rosa’s perspective. Still single. 30 y.o. working and taking prozac (“O paz”). Notes how women must act like men to achieve in the workplace. 
U de underground
more sex.
V de vulnerable
Keeps a medication for everything…because then I know nothing can happen while they’re around. And when you mix them with alcohol…todo te da igual. Nada es bueno o malo.
W de whisky
What happens on the 17 of May for all three sisters. More desperation for Cristina.
X, la incognita
My family thinks I’m crazy. “El gran Porqué es ese hecho particular de la vida que te hacer ser como eres” (Post-modernism?) Bad childhood à destructive adulthood.
My Gran Porqué is Gonzalo (he would do touchy things-she was only 9, he was 20 + a few years later, her virginity… later notes that girls who were sexually abused tend to be more promiscuous as adults), her father (absent), her mother (crying all the time),
Y de yerma y yugo
Friends start doing more and more drugs. Guy names Santi dies shooting heroin,  but she realizes it could’ve been her. Realizes life is a gift and that she has screwed up many relationships. More personal psychoanalysis.
Z de zenit.
“una mujer fuerte siempre puede conseguir lo que se propone…fortaleza significa, sobre todo, aguantar, no romperse. Es una virtud femenina.) Is bitter towards perfect families when she had been through so much.
Ana, her sister, is dying (overdose of amphetamines)…each sister had their drug of choice.
Final line. My mother is Eve. But we are daughters of Lilith.

Tuesday, July 16, 2013

Horacio Quiroga - Cuentos - (Early 20th cent.)

Sobre el autor
Uruguay, 1878-1937
initial impressions: this guy is CRAZAY.
Notes from wiki:
He wrote stories which, in their jungle settings, use the supernatural and the bizarre to show the struggle of man and animal to survive. He also excelled in portraying mental illness and hallucinatory states.[1] His influence can be seen in the Latin American magic realism of Gabriel García Márquez and the postmodern surrealism of Julio Cortázar.[2]
-accidentally murdered a friend. 
-would often say that Poe was his first and principal teacher.
-tragedy #2: wife committed suicide
-after painful illness, committed suicide 

Sobre su obra
-          As he further developed his particular style, Quiroga evolved into realistic portraits (often anguished and desperate) of the wild nature around him in Misiones: the jungle, the river, wildlife, climate, and terrain make up the scaffolding and scenery in which his characters move, suffer, and often die. Especially in his stories, Quiroga describes the tragedy that haunts the miserable rural workers in the region, the dangers and sufferings to which they are exposed, and how this existential pain is perpetuated to succeeding generations. He also experimented with many subjects considered taboo in the society of early twentieth century.
-          Realist, with an emphasis on bizarre and monstrous in his stories
-          Big on punch, low on adjectives is his advice for writing cuentos.
-          His stories move by action more than by dialogue
-          Constant theme of Man vs. Nature

Comps Example Questions
-          The regional narrative (novela telúrica), with its variants (criollismo, novela de la tierra, de la selva, etc.). Authors: Gallegos, Güiraldes, Rivera, Quiroga. Some suggested, secondary readings: Alonso.
-          Realismo and naturalismo. Authors: Echevarría (earlier, under “From Independence to Modernismo”), Quiroga; Gamboa.

What Franco says (Chapter 7, pg. 216-220)
-          Writer of some of the best regional short stories of Latin America (216)
-          Interest in the human personality in extreme or abnormal situations (217)
-          “An essential factor in good regionalist literature is that the natural environment should be more than a setting for a human drama. The great regional novels… are those in which the human drama and the environment are inseparable” (217)
-          Idea that man cannot control nature; he can only study the environment and hope to survive through courage and resourcefulness (217)
-          The great majority of Quiroga’s stories follow a similar pattern. The protagonist is never an intellectual, but rather a pioneer/farmer/laborer in the rough rural region of Uruguay going about his daily work. Some accident happens and suddenly he becomes a lonely man fighting for life. (218)
-          “A la deriva” and “Un hombre muerto” (218)
o   Follows above pattern; fatal accident occurs in first few lines and the protagonist dies at end
o   Death isn’t completely “accidental” in either story
o   Summaries of both stories – pg. 218
-          Quiroga is not directly concerned with society in his stories, but criticism of social organization is often implicit (219)
-          Idea that all man-made institutions are fallible, fragile, and ultimately unimportant when set against the mightiness of nature (219)
-          Conflict between human reason and will which seeks to plan, structure, and control the environment, and nature which defies such control (219)
-          “Anaconda” (219)
o   Story in which the snakes rise up to fight a war to the death with a group of men in charge of a laboratory which manufactures snake serum. Snakes instinctively defend the natural order.
o   Exploration of animals – their instinctual knowledge and acts are totally opposed ot the willed and motivated actions of human beings
-          Idea of nature not as a passive element but as an actively destructive force, a threat to human identity (220)

Common themes in stories
-          Regionalist narrative
-          Civilization vs. barbarie, power of nature, man vs. nature
-          Realism/naturalism
o   Describes life as it really is
o   Grotesque
-          Death, man contemplating imminent death


***Note on readings: short and sweet! YAY!

“Las Moscas” (1933) (Text available here)
Summary
Man sitting near tree in a field of ashes with one untouched tree. He’s fallen, become paralyzed. Has the feeling he’ll die. Shadows come over him…sees a zoco marroquí and some potros blancos come out and some decapitated men run in. Now he sees a hospital room. Drs. try to convince him he won’t die. So, they put him to the test of the green flies, which detect dead flesh far before humans can.
Now, flashes back to where he’s sitting. Flies are zumbando around. The end is nigh… Y vuelo, y me poso con mis compañeras sobre el tronco caído, a los rayos del sol que prestan su fuego a nuestra obra de renovación vital.”

Themes/ideas
-          Time is used as a device here, as it seems to pass more slowly for the dying man than it is for everyone else.
-          Nature is unavoidable: it comes from all sides.
-          Out of death can come renewal (the dying tree, the dying man)


“A la deriva” (1912)
Summary
Man feels snake bite him (influence of his time in the jungla?). Chops up the snake with his machete. Ties a bandage around his injured foot. His foot is swelling, he’s getting thirsty, walking back to his house. He begs his wife to give him caña, not water, but it doesn’t quench his thirst. He gets in his boat and tries to paddle (maybe to receive treatment?) but, he’s getting nauseous. His whole leg is becoming deformed by the venom. He asks his friend to help, but he doesn’t hear. Tries to take his canoe out again. Notes that along the river, “El paisaje es agresivo y reina en él un silencio de muerte.” Then, as night falls, his pain starts to alleviate. (Mentions river, landscape). Then, he just calmly stops breathing…

Themes/Ideas
-          Man vs. Nature
-          solitary man
-          inevitable death
-          solace is a lie


“El hombre muerto” (1920)
(I think I recognize this one)
Summary
-Un hombre y su machete doing work. While cleaning some land, he drops his machete, falls down. And, he's going to stab himself (accidentally) and BOOM. Stabbed. "llegaremo a nuestro turno al umbral de la muerte...es la ley fatal". Sueños, trastornos, esperanzas y dramas (these are the things that make up our time between birth and death...something of a philosophy of life). How did this final day finally arrive for him? Wasn't this just another day? When he dies, sólo él es distinto...everything else is business as usual. Now, his son is coming (prediction: son will probs find him dead.)

Themes/Ideas
-          The passage of time is played with in this story, as time seems to be passing differently for the man than it is for the rest of the world.
-          As he lies there, waiting to die, the man feels uprooted, disconnected from his land and his family.
-          Shows how nature can never fully be dominated, no matter what man tries to do (the man has worked to cultivate this land that has now killed him)


“La Gallina degollada” (1909) (mmm...what a nice title! Not.)
Summary
Starring "los cuatro hijos idiotas del matrimonio Mazzini-Ferraz....casi siempre estaban apagados en un sombrío letargo de idiotismo" When the couple first was married and had their first child, it was hopeful for them; renewing. Then, when the child was a year old, it had convulsions and could no longer recognize parent. Mom sees it as "aquel fracaso de su joven maternidad." Now, another child. Situation repeats itself. They couldn't create one atom of normal life. They start to blame one another. Then, they have a girl. And so far, things look normal. The other children are left to the servant, treated with "visible brutalidad". Then, the girl gets sick; One of them blames the other for having an ill father. Then, they tell the servant to kill a hen...the 4 idiot children are stupefied and enjoy watching,yet the parents send them out of the kitchen.
Then, the idiot children start to look at the daughter...she screams for her parents....(and you know what happens...she become the next gallina degollada. NASTY.)

Themes/Ideas
-          Naturalism: does fate play a role in people’s lives? Are people destined to suffer? Focus on sickness, discord, anger, rejection, and death.


“El hijo” (1935)
Summary
Hot, sunny day. Father tells his son to come back before lunchtime (he's going out to explore). Son is a good hunter, though he's only 13, something his father would have wanted when he was a child. Though he usually worries about his kid, today he feels okay about it.
BUT...now it's lunchtime and the son hasn't come back. Heard only one shot. Then, the father goes to look for him...sees his dead child. (he must've tripped on a wire)...Then, he thinks his son responds to him, picks him up, talks to him, takes him home...BUT, reality is: the kid's been dead since 10 am. 

Themes/Ideas
-          Naturalismo: solace from nature and destiny and death is a lie.
-          Man vs. nature and nature wins (as it always does)
-          Great tragedy


“Anaconda” (1921)
-          Summary: The snake Lanceolada was prowling around her property when she decided to go and see what was up at the house (an abandoned building with sheds around it).  She slithers over there and realizes that there is a person who is living there now.  She strikes at his boot, but it’s not clear if she succeeds in biting him.  The next day she alerts her snake buddies because they don’t want their habitat destroyed.  She first tells Terrifica, a rattlesnake, who is really old.  A bunch of other yararas from the area came to the meeting too.  The snakes decide that they will go to war with the humans.  They send nacanina, a really poisonous snake to hunt them.  She hides and listens to them in the darkness.  As it turns out, the men have come to this region of the jungle to set up an institute to research antivenomn.  The nacanina gets caught in the house overhearing everything.  She doesn’t care about the plan because she’s an anaconda and she has more power than the venomous snakes.  When she escapes the house and tells them of the humans’ plan, they are upset.  Another snake ends up getting caught anyway and put in a cage with a cobra, who bites her.  The humans, thinking she’s dead, throw her out and she helps the cobra escape.  They attack a man and get him right in the vein, so he ends up dying.  They all band together then and listen to the cobra’s advice to attack the horses before the dog.  The humans beat them off and they end up basically killing all of them.  The cobra gave bad advice and the anaconda wants revenge.  They fight and she kills the cobra.  The men find her and they take her in, restoring her with antivenom from the cobra’s bites and the anaconda lives for another year after that with the men, hunting rats. 
-          Themes/ideas
o   Man seems to mostly triumph over nature in this story, although Anaconda escapes and continues to live.
o   Discord causes the vipers and snakes to be killed: they cannot overcome their dislike of each other even if their survival depends on it

Saturday, July 6, 2013

Nada (1944) - Carmen Laforet


Sobre la autora y la obra
-          Laforet
o   Spain, 1921-2004
o   Wrote during the post-Civil War period of repression; writing reflected desire for change and liberty
-          This was her first novel and her most famous, considered her best
-          Testimonial novel genre (I think)
-          Influence of existentialism
-          A novel of female adolescent development, Nada is considered a classic in 20th century Spanish literature; in many respects, this novel is Spain's The Catcher in the Rye with regard to such universal themes as existentialism and the adolescent search for identity. (Wikipedia)
-          Nada es una novela de carácter existencialista en la que Carmen Laforet refleja el estancamiento y la pobreza en la que se encontraba la España de la posguerra. La escritora supo transmitir con esta obra, escrita con un estilo literario que supuso una renovación en la prosa de la época, la lenta desaparición de la pequeña burguesía tras la Guerra Civil. (Wikipedia)

Comps ideas to consider
-          La novela de posguerra: de la novela existencial a la novela realista: Camilo José Cela y Carmen Laforet

Secondary source – Cambridge Companion to Spanish Novel Chap. 11: Gonzalo Sebajano
-          Very negative tone (177)
-          Some traits of romance (177)
-          Use of memory (178)
-          Technique of expressing the narrator’s own feelings of empathy through the consciousness of a naïve, central character (178)
-          Neorrealismo (178)

Characters
-          Andrea – protagonist, recent orphan, novel focuses on her adolescence
-          Juan – Andrea’s uncle
-          Gloria – Andrea’s aunt (married to Juan?), somewhat promiscuous/shady
-          Román – Andrea’s uncle, was a spy during civil war, kind of a jerk
-          Angustias – Andrea’s aunt, eventually goes to live in a convent, very controlling
-          Abuela – talkative, devout churchgoer, relatively powerless
-          Ena – Andrea’s friend, who has a richer family; rather strong/active character
-          Jaime – guy that Ena wants to get with, Andrea and Ena hang out with him
-          Pons (& artist friends) – artist guy that Andrea sort of has relationship with and hangs out with some

Summary 
     Andrea comes to Barcelona to stay with her extended family because she has recently been made an orphan. Her family is quite strange: they’ve been altered by the war. Her uncles Juan and Román are very volatile: they fight with one another all the time. Román provokes Juan and his wife Gloria. Aunt Angustias is just very angry with everyone. Grandma doesn’t really do anything except talk. However, in spite of the disgusting state of their house, Andrea finds herself being taken in by them. She finds out a bit about what happened to them during the war. Román was a spy and Juan’s past is uncertain: Gloria learned about what was going on with them by listening through a keyhole. Román is unhappy that the two of them got married. Román’s work is unknown, and seems shady but lucrative. Juan’s work is unknown, and doesn’t bring in very much. Gloria brings in some money gambling at her sister’s bar, although Juan thinks she’s really a prostitute.
     Andrea becomes friends with a girl named Ena, whose family has money and often feeds Andrea dinner. Angustias leaves for a convent (Juan says that it’s because she’s too afraid to pursue the man that she’s had a long-lived affair with) and Andrea becomes less connected to the house. Román continues his hidden life (which is never fully explained), Juan has no money so Gloria has to play cards and sell furniture from the house to buy baby food. Andrea lives off a meager allowance and starts to get a little loopy from hunger. Gloria and Juan fight all the time, and Grandma always defends Juan. No one has enough to eat.
     For awhile, Andrea and Ena hang out with a dude named Jaime (who Ena is interested in), but the relationship eventually runs its course. Ena begins to hang out with Román, which bugs the heck out of Andrea, but she can’t stop her and the two of them drift apart. Andrea begins to hang out with a guy named Pons and his artist friends. The artist friends are super-pretentious (one of them thinks he’s a Romantic and at one point mentions ‘following the path of Béquer’) and super-spoiled by their rich parents. Pons shows some interest in Andrea, who sees him as an opportunity to escape from la calle Aribau, but they don’t work out. Ena’s mother tells Andrea how she was interested in Román once upon a time but that, in spite of his charms, he was a rotten person deep down, and lazy. Anyway, it turns out that Ena has just been seeing Román because she wants to learn who he is (after hearing stories about him from her mother) and ultimately break his heart, which she does. Román ends up killing himself (Gloria says that it’s because she called the cops on his smuggler ass and he was about to be busted, although who knows if she really did or not). Ena’s family leaves Barcelona soon after this, and Andrea rolls out eventually to live in Madrid with them.

Themes/ideas
-          Novela posguerra / Testimonial novel
o   Realistic image of what life was like after war
o   Depiction of hunger/near-starvation and poverty of normal society
o   Idea of the war’s lasting effect on Spain
-          Spanish identity (post-civil war)
o   Spain is a shadow of what it once was, has lost its former glory
-          Female adolescence, bildungsroman?
o   Idea of generational changes (between Abuela, Angustias, Gloria, and Andrea) – ej: when Angustias complains about what she could do when younger vs. what Gloria can do now
-          Family vs. friends
-          Importance of keeping up appearances
-          Symbolism of the house
o   House is messy, so the people that live in it have messy lives
o   House grumbles like an animal
-          Night vs. day
o   Danger of the night; monsters/hidden things emerge at night
-          Extremes
o   Andrea’s feast or famine mentality (whenever she has money, she splurges)
o   Angustias’s treatment of Andrea – kind or cruel/abusive
-          Existentialism
-          Social change
o   Old money (families like Andrea’s) is out, new money (families like Ena’s) is in
-          Microcosm of Aribau neighborhood

General Plot Notes
Part I:
1). Begins: "Por dificultades..." Many unknowns up on arrive. Blood flows with excitement. She's finally in the big city. Rides a horse carriage, setting is posguerra. Heads up to Aribau ($$ wealthy area of Barna) to live with relatives. Sees electric light! Big city charm. "I'm here. It's me, your granddaughter." I couldn't come this morning like I'd written. Uncle greets her her, but the scene is bleak. The women are fantasmales. She wants to take a shower (which becomes a baño de brujas). Tía Angustias is rough. Angustias dice "nunca duermo". Her bed=coffin.

2). First tranvías in the city. Wakes up and sees old portrait of her gparents. They came to the neighborhood when it was new, for descanso. Now, city had grown up around it (generational shift).  When abuelo died, gave up half the flat and what was left was desorden. Her tía thinks she needs to mold her somehow. La ciudad es un infierno. The city is dangerous. Aunt is awful to her...and then says, "Me lo pagan con ingratitudes." (she sounds like the absurd nun in Rosario Ferre's stories).

3). When Andrea is happy, Tía is humble. When she is sad, Tía is authoritarian. Made to wear awful blue hat when in city (keeping up appearances). Gloría, una graciosa who likes herself in a pleasant way, cuenta mentiras intercaladas a sucesos realies. Symbolism of house (house as messy, therefore people in in have messy lives.) Juan painting a nude. Then, one day, crying, "Román did something terrible to me." Roman says he read the card Gloria wrote to Angustias. City people as hiding emotion. Andrea as sentimentalista. Mentions to her how her mom got out, left the city for the country.  Only Angustías, Roman and Juan were stuck (so maybe the Big City ain't the promised land).  Andrea sees Gloría fleeing at night.

4). Cúantos días sin importancia! Autumn isn't beautyfull as expected, sino triste. Abuela (in a theatrical dialogue) explains how Juan and Ramón were close siblings, Abuelo was upset when Juan wanted to become artist. Abuela is upset when Juan wanted to become artist. Abuela is upsest becuase Román has kissed (affair?) with his brother's wife, Gloria [who says no one loved her, when Juan took care of her {?}} Revealed that Aungustias sheltered her boss Jerónimo during the war. Román is associated with the Rojos. He was a spy and spies are cowards. Gloria tells of her flight to Tarragona, how Juan fell in love. Nostalgia, perfection. Román trying to convince Juan to join nacionalistas. Abuela forgives him for that. Juan asks Román to bring Gloria to Barna. Asked to draw her nude. Abuela is more conservative. Román was furious when he found ou tGloria listend to their convos sneakily. Jerónimo and Angustias had a secret stash of food. Abuela was witty with republicanos who could've criticised her for her saints. Andrea is listening, but sick with fever.

5) Angustias, true to her name, keeps anguishing others. Andrea does well at university. One friend wants to meet their uncle because he was a musician.

6) Even little things were tragedies for people of Aribau. Makes friends with Ena, wealthy girl who invites her out a lot. Andrea begins to feel unequal. So she'd give her a handkerchief (one of her only possessions). Provides feeling of wealth and happiness. Juan/Gloria/Angustias: fight! Angustias accuses her of stealing hankie. Juan hits Ang. Juan calls Ang. out on her affair with her boss. Then, it's x'mas. Brief moment of peace. Andrea talks to Angustias very kindly (even though she doesn't deserve it). This family is broken.

7) Ang. packs up to leave. Jerónimo comes by for her new address. Then looking at family photos, Andrea sees one of her mom, Amalia, but abuela denies it's her. Román is now chasing her with afectuosidad. Andrea begins to sleep in. Angustia's room as the gran oreja de la casa, hears Gloria sneak out at night. Román tries to convince Andrea "You don't need friends, just family." Román, she is realizing, is just as bipolar as Angusty. R. says he controls others emotions- "Manejo a todos." He's kinda freaky. Ena calls.

8) Ang: Angry that abuela lets Gloria go out even though she never let  Angu. One day, Andrea wakes up with a strong feeling of rebellion towards Ang. Ang. says  "He cometido un pecado de soberbia y me voy para siempre." She's going to cloister, still thinks that there are only two honorable paths for women and since she's not married.... "Tú has sido mi última desilusión y último desengaño," (wanted to be like a mom to Andrea, yet reveals she'd prayed for her death [or salvation]). Lastly, Juan has abused Gloria.

9) Amigas de Angustias say her house has changed so much. Gloria doesn't know why Ang thinks she should be angry and not just leave with Don Jerónimo. Gloria pasa de los roolos de la familia y dice que va  a visitar a su herman de noche. Gloria says she never married because her father didn't like the guy...You're no saint!

Part II

10) Andrea walks at night to see cathedral, soledad. Scary figure comes out from shadows (night vs. day). It's the guy from Ena's house. Andrea says she now just wants to pay for her room, will eat outside house. Abuela doesn't want her to have to pay. Andrea keeps wanting to buy/compensate for Ena's friendship.

11) She  begins to try new foods, dry fruit. She would spend all her money at restaurant at the beginning of the month. Lived on bread at the end. Juan/Gloria, mother fight. So, Gloria sleeps with Andrea. Could I escape? One day he'll kill me!  Andrea is hungry and possessed by a feeling of bestialidad (the house is getting to her). Wants to eat Gloria. Juan comes in to get Gloria.

12) Ena talks to going to country; she's interested in Jaime. Ena says there's onlty one person she loves as much as Jaime and Andrea. One day, Andrea gets mad, harta de su sonrisa de autoridad. Then, Gerardo (Creepy guy) comes around and he kisses her. Then ena comes over to her house, but when Andrea arrives she leave.

13) Ena says she can't come around anymore. Gloria is worried she's pregnant again. She meets up with Pons in library. A friend of his wants to paint her. She calls for Juan. Action dies down. Andrea wants to go with Pons.

14) Andrea losing memory (?)  will ena and Román marry (?) Friendship with Ena is losing encanto. Ena confesses: she waited at ther house for 4 hours. Roman entertained her. Ena says taht she doesn't like that Andrea se avergüenza de su familia. Ena says she wanted to befriend Andrea b/c she seemed a little trastornada and that interested her and le conmovía. She's just fascinated.

15) Baby is dying. Juan fighting in street.

16) Román becoming señorito. Spending money on suits (where is this money coming from?) Gloria is worried that he likes other girls, even Andrea. Andrea thinks that is ridiculous (it's her uncle, after all)-she is clearly off her rocker. Mentions Angustias' beggar. Then Andrea warns Jaime, "I think Ena is desgraciada."

17) It's June heat. Chinches en casa. Tries to fight them, takes disinfectant baths. Román jokes that andrea will be a good housewife. Juan feels need to control the house. Pons invites Andrea to spend summer with family @ Costa Brava. Then, one night, again spying (which seems to be a family pastime), Román recalls good ol' days with Gloria. Gloria calls him out for being a traitor, because something happened with Gloria...she confesses she even denounced him to be fusilado!

18) Feels ternura for Juan. Feels like a princess, like Cinderella. Abuela sells some of her furniture. Pons' house, which is a happy and beautiful place (not messy and angry like hers). Pons compliments her and she doesn't know how to take it. Actually, she blows it! Like a Greek tragedy. Finally has an opportunity and loses it! Chapter ends with her seeing Ena.

Part 3

19) Ena's mom says andrea is E.'s only friend (which is surprising after she had despreciado a ella). Andrea has pride in her hair. Cuts in..."Orgullos humildísimo me corroía enteramente." (Cuts in for Román?)  e tells her she's worthless to him. Father doesn't like him. Andrea ends up marrying Luis. Ena's mom mentions she never wanted a child from her husband, yet she falls in love with the child and it opens her world.

20) Juan and Gloria are fighting because she's selling things for foor and he doesn't want her to. Very violent. Gloria says Andrea must know life is more beautiful than this. She's seen it. Gloria says Roamn does dirty work. G. mentions how her sister tired to set her up as "a lady of the night". Gloria has Jesus feet (sacrificial imagery).
Mentions Ena is coming to Roman's room. Andrea is mad because she thinks men and women can do more together tan be lovers. Andrea goes on walk, but goes home because she thinks Ena's there. Ena tells Román shes in her hands. The nightmare is over. then Andrea enters, feels like she sees Roman's gun and tells Ena to run....But nothing happens.

21) Hangs out out with Ena in Rain. Ena admits she was obsessed with Roman, but admits she loves Jaime too. Admits she was afraid of Roman. Ena's mom also had a moment with Roman. (Resulta que en a moment when Ena had made fun of Andrea, she had just had had a bad moment with Jaime)

22) Jaime, Ena and A. start hanging out again. Juan is dying-killed himself (not really??? I think it's just the other brother that dies).

23) Roman dies- suicide because he'd been denounced to police. The house is silent. Abuela's daughters blame abuela's unequal treatment to sons and daughters for this ending.

24) Andrea, two months later, feels death in the house. Juan goes away-Gloria wants him to go in manicomio, yet abuela still wants to protect him. Ena writes to Andrea from Madrid.

25) Gloria sells more things (decadencia). Andrea can go work/study in Madrid. And Ena will marry Jaime. Happy-ish ending.