Sunday, October 6, 2013

Milagros de nuestra señora (1240s/50sish) – Gonzalo de Berceo


Sobre el autor, Berceo
-          First author whose name we for sure know
-          Spain; born: ~1198, death: ~1268
-          Was probably a monk, but we’re not sure
-          This work was composed between 1246 and 1252

COMPS
The Comps question on the list is long and very general, covering tons of authors. What we need to know, essentially:
-          What is known about Berceo’s life (not a whole lot)
-          Literary, social, and historical context in which Berceo wrote
o   He’s probably most important for the mester de clerecia.
-          What he wrote (Milagros) and when (In 1240s/50s)
-          Important critics (no clue)

Secondary Source – Article about Agnus Dei by Raquel Torres Jiménez
-          Agnus Dei = Cordero Santo
o   Lamb symbolizes Christ, and virtues of docility/humility
-          Importance of symbolism and allegory in Middle Ages, especially in Christian context – something that the general public would understand and be familiar with
-          Break down of symbol of lamb in levels
o   Moral (virtues), allegorical (Christ as sacrifice), mystical (Christ resurrected)
-          Use of lamb “virtues” to describe people in Berceo’s Milagros (XIII, XVI)

Themes, important ideas
-          Use of allegory
-          Mester de clerecía – very precise writing style
-          Devotion to virgin Mary
-          Moral message, message of salvation, how to receive salvation (pray, be devoted to Virgin)
-          Theme of the pilgrimage
-          Salvation
-          Theme based on the precedent of Marian tradition

General notes based on my reading of text
Introduction
-          Addresses text to Christians (“friends and vassals of Almighty God”)
-          Use of rhetoric: “if it pleases you to listen to me”
-          Says he was on a pilgrimage, describes a beautiful meadow (allegory)
Twenty-Five Miracles
-          One of the most important miracles: “Milagro de Teofilo” (#25)
o   Summary in general notes below
o   One of the few that was originally written by Berceo
o   Includes conclusion to the text, at the end of the miracle

Structure (all the miracles have the same structure)
Simple version
1.      The protagonist does something bad (he’s a sinner), but is devoted to Virgin Mary
2.      The sinner/protagonist suffers or is in danger
3.      Fair consequences for the sin
4.      Virgin Mary’s miracle – something that breaks with normality; she intercedes
5.      The sinner/protagonist converts, confesses, and reforms his life
More complicated version
1.      Exordio (Introducción) – establece el tema
2.      Presentatio (Presentación) – amplifica el personaje, el escenario, y la acción
3.      Elaboratio (Situación agonística)
4.      Recapitulatio (Consecuencia)
5.      Peroratio (Glorificación)

Writing style
-          The majority of the miracles in Berceo’s text are “copied” from older texts or popular stories – he translated and adapted them. The main original component of his work is the introduction.
-          There’s a somewhat propaganda goal in this text – Berceo is promoting his monastery
-          Mester de clerecía
-          Berceo wrote 9 different works – they’re all religious in theme
o   Belief in a deep connection between mester de clerecía and religion
-          Judicial perspective in miracles – sinner is sort of put on trial, and Virgin Mary petitions for sinner’s cause

Social context
-          The peoples’ complete devotion to the Virgin Mary
-          Obsession with the idea of salvation – life in the time period was so crappy that salvation was the huge hope for the general population
-          “El Camino de Santiago” – a very important path for pilgrimage
o   Many monasteries along the path – people would travel during the day and then stay in monasteries at night
-          Cultural changes in the 13th century
o   Foundation of universities – higher level of education (especially for people in monasteries)
o   Immigration (from France to Spain) – French influence on Spanish literature

Miracle = a divine interruption in the normal order of things

Mester de clerecía
-          This is a way of writing, a writing/literary style
o   Based on a French style (alejandrino)
o   Verses of 14 syllables, divided in two even parts (7 syllables each)
o   This was seen as a superior writing style – takes skill and care, proves a poet’s ability to write well
-          Sense of it being something different/distinct than the norm, something new
o   Idea that it’s not a mere style of composition, it’s something that is studied
-          Created in the 13th century and endures through the 15th century
-          Berceo’s text makes up part of this mester
o   It was different/interesting that Berceo signed it with his name – most of the texts included here were anonymous
-          Comparison of Mester de clerecia and verso juglaresco
o   Example of juglaresco: Cantar del mío Cid
o   Juglaresco is less rigid than the mester de clerecía

Devotion to the virgin Mary begins in the 13th century and just grows as time passes
-          13th century was known as “Marian renaissance” in Europe
-          Based in the idea of her being the mother of Jesus
-          A vision of the Virgin Mary as rather human; the population can identify with her and she is presented as their protector
o   Her mantle = representative of her protective grace/power
-          Idea that Virgin Mary has a special relationship with all those who have declared themselves as a vassal to her – she has kind of a feudal power role
o   She is like a queen, who gives pardon and grace
-          Interesting use of a woman (rather than Christ or God)
o   Idea of one perfect woman, compared to the general woman who is fallible
o   Could also have roots in pagan religions, in which role of a female goddess was rather important
-          Judicial perspective in miracles – sinner is sort of put on trial, and Virgin Mary petitions for sinner’s cause

Idea of “allegory”
-          Allegory can be read into any literary work
-          Berceo tells us that he’s creating an allegory and explains the terms.  (prologue)
-          Allegoric vision – the entire world is an allegory that’s able to be deciphered by a good writer
o   Goal of deciphering whatever possible with aim of greater knowledge/wisdom
-          The miracles teach us how to worship and how to form a relationship with the Virgin Mary – we should apply the actions of the miracles to our own lives
-          Two types of manifestations of allegory in literature:
o   Something hidden in text that the reader discovers when given the key by the author (Greek influence)
o   Allegory to explain something – no intention to hide any meaning, but rather wants to present a truth in a way that the reader can better understand.
-          Allegory of the pilgrimage – we’re all pilgrims traveling through this world towards salvation
-          All literature can be read at four levels:
[writers consider these different levels of reading/understanding when they are writing their works, and can orient their writing towards different levels… readers can apply different “levels” according to their own interpretation]
o   Literal – actions understood very literally (most of the miracles can be understood in a very literal sense)
o   Allegorical
o   Moral – what is read can be applied morally; miracles teach moral lessons
o   Mystical

Prologue/Introduction to the work
-          Establishes that nothing found in the work can be considered independent from the work or from literature 
-          Prologue creates the sense of a structure in which the miracles interrelate, rather than forming just a random compilation of miracles – narrator applies these miracles to the reality of the pilgrims
o   Miracles are testimonies… idea of an eye witness; “it’s true and you can apply it to your own life/condition!”
-          Gonzalo de Berceo introduces himself as the narrator/writer of the text – but the narrator can also be considered distinct from Berceo, just as another created character (not the same specific author, Berceo)
-          Emphasis on the eye-witness testimonial aspect
-          There is a distinction between the prologue and the 25 miracles. The prologue tells us about the system of reading; informs the reader that there’s something new/different to be read.
-          Prologue is an allegory (description of meadow, etc).
o   Idea of recreation of paradise, with several symbolic elements
§  All the elements/objects are concrete, but also have another meaning; they’re symbolic
§  Example: Trees – can represent tree of knowledge of good and evil, tree that eventually became cross on which Christ died, symbol of the stability and strength of Virgin Mary, symbol of the tranquility (shade) that people find in Christ
§  No working – this would be an important theme during a time in which everyone works; message: once you reach your salvation in paradise, you’ll be able to rest (“sombra del paraíso”)
§  Birds singing – people that sing praising the Virgin and her miracles
o   Creation of a character that is a witness of the existence of paradise

Milagro de Teofilo
-          Summary: There’s a rich man, Teofilo, who serves the bishop of the town. He’s a great man, very loved by everyone. When the bishop dies, everyone wants Teofilo to be the new bishop. He refuses, so they put a different vicar in charge instead. Everyone loves the new vicar and so they don’t pay as much attention to Teofilo anymore, and he’s jealous. He starts to turn bad – corrupted by the devil. There’s an evil Jew in the area, and Teofilo goes to ask him for advice. The jew takes him to a king in the middle of the night (the devil) and the king says that if Teofilo denies Christ and the Virgin Mary and makes a contract with him, he will be restored to his prior glory. Teofilo agrees, and is even more popular than before. After a while, Teofilo gets very sick as a divine punishment, and starts to regret what he has done. He feels like the Virgin Mary will not want to listen to him due to the bad that he has done (rejecting her, sin, etc.). He starts to pray to her obsessively, and she finally responds, and says that she forgives him, but he has also offended Jesus Christ, who is still angry with him. He prays to her more, and she forgives him on Christ’s behalf. As part of his penance, Teofilo has to write a confessional letter and read it in front of a leader of his church. Teofilo is completely forgiven and again loved by all. Soon after, Teofilo is given the sensation that he will die soon, so he gives all his wealth to the poor and then dies in good standing with God. At the end of this miracle, Berceo writes kind of a conclusion to all the miracles, with a reminder to the reader to confess and pray to Mary if he wants to be saved.
-          This was one of the few miracles originally written by Berceo, whereas the others were copied and rewritten from older texts.
-          This miracle is one of the most extensive ones included
-          Role of the Jew
o   In comparison with the Cid:
§  less of an economic role here, more of a role in relation to wisdom/knowledge
§  In the Cid, Jews are necessary and aren’t horrible people. Here there’s a much more negative vision of the Jews… vassals and representatives of the Devil.
§  In the Cid, Jews have a small part in a narrative that really focuses on a lot of other things. Here, the role of the Jew is central. Message against Jews, specifically.
o   Relationship of the Jew with the devil
o   Propaganda against Jews
o   Jews as “vassals” of devil
-          Allegory – recreation of the fall of Adam; he fell because he was advised badly (by Satan in form of serpent) ---- here, Teofilo falls because he is advised badly (by the Jew)
o   What happens to Teofilo is comparable to what happens to Adam and Eve – he is a good person and loves God, but falls because he is tempted
-          Teofilo’s sin – envy, jealousy, pride
-          “encrucijada” – main intersection of roads outside of the city. This is a significant place because it is where criminals are executed (no prison). Since the people that die there are bad people, the Devil hangs out in the area to take these bad souls. Witches also hang out there to take pieces of the dead body to use for their witchcraft. Therefore, it is a traditional location for making a pact with the devil.
-          Presentation of the devil as a king, surrounded by his (evil) court – opposite would be Virgin Mary and Christ and their royal (good) court.
-          The contract with the devil
o   Virgin Mary breaks the rules in order to cancel out the contract – goes to hell and destroys it
o   Contract between vassal (Teofilo) and lord (devil) – devil is not a good lord, because he doesn’t completely fulfill his promise
o   Teofilo is able to change who he is serving (of whom he is vassal) by swearing loyalty to the devil, and then later revoking that by swearing loyalty to Mary
-          Interesting to note names attributed to Mary – she is called a doctor of the soul (comparable to one of Christ’s epithets)

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